Have you noticed the way that pirates talk? Not real pirates, of course, but the ones we see representing piracy in film and on TV - especially when they're in a 'lone pirate on a kids' show' situation. You see variation when you get lots of pirates together, like in Peter Pan or Pirates of the Carribean - but when you see just one pirate character, there's a very specific way that he (or she) will typically talk. It's the way Captain Feathersword talks on the Wiggles show, the way Captain Scallawag talks in Dragon Tales, or the way Teacher Susie imitates pirates in "Sid the Science Kid." Even Dola in the film Castle in the Sky does a bit of it. It's the source of that joke my kids like: "What's a pirate's favorite letter?" "Arrrr!"
I was listening to it the other day and I realized that the closest real world accent it resembles (to my ear) is Irish. Of course, it's not really Irish, just a weird version of it. But that got me thinking.
Was there ever a real Irish pirate who inadvertently bequeathed his accent to pirate stereotypes everywhere?
The assignment of specific dialects to particular types of characters is not restricted to pirates, either. I remember recently seeing the Italian chefs from Lady and the Tramp and thinking, "Wow, that was stereotypical!" But then I watched a few episodes of the children's cartoon, Curious George, and I realized that Italian chefs are still given broad Italian accents. I'll give the Wiggles credit here - one of the members of the dance troupe is Italian, and while he is a chef, he's actually, really Italian. He even speaks Italian on the show! Now, that's refreshing.
When I watched the newest Star Trek movie I was thrilled by the fact that they chose people with real accents. Scotty was British, and Chekov had an actual Russian accent. Wow! If you're going to retain those roles as they always have been, that's definitely the way to go. At least for the adult crowd.
Now, having said, "for the adult crowd," of course I can't leave it there. Does it take sophistication to understand that people are different, and speak differently? I don't think so. Children have a much better ear for language differences than we do, so I can't help wondering why it's okay to assign dialects to roles the way we do in children's shows.
When you're writing in science fiction and fantasy, and you want to use dialects, be careful. Don't fall into the pattern of accessing an available stereotype if you can help it. Especially if your characters aren't on an Earth-related world, think through what you want to do, and try to come up with something different. If you must use a dialect, try to find an actual speaker of that dialect to consult with you - or you may end up seriously offending someone.
Maybe we keep these things in kids shows because they don't know any better and can't be offended. But in an age of increased awareness of diversity, I'm surprised in some ways that we can't do better.
On the other hand.
I generally like to try to keep an anthropologist's view - that is to say, a more distant and uncommitted view - on most questions like this. So here's the other side of the coin: if we go all the way and try portray characters with real world cultures, what will happen to the legends, and the spirit of all the beloved characters who do have these more biased characteristics? Will they suddenly be maligned for the - largely loving - spirit in which they created? That would be a terrible shame.
A colorful character who has a foreign dialect needn't be an ugly stereotype. It's important to remember that. I can easily imagine for example placing a cook with a French accent - another very common stereotype - into a modern work. Successfully even, so long as that character was well-integrated and had more to him (or her!) than just an accent to laugh at.
When we write, we're placing ourselves into the grand history of storytelling. I admit I'd like to see the new focus on diversity reach a bit more thoroughly into our modern media products. But I still love the classics, and I think they should be enjoyed as products of their time - neither simply lauded as great works and the way things must be done, nor disparaged for "old-fashioned" ideas.
I wonder how our current views will be seen a hundred years from now - and whether pirates will still say, "arr!"
Where I talk to you about linguistics and anthropology, science fiction and fantasy, point of view, grammar geekiness, and all of the fascinating permutations thereof...
Thursday, October 8, 2009
Why do pirates always say "Arrr"?
About:
bias,
dialects,
stereotype
Wednesday, October 7, 2009
How Children are Like Aliens
Everyone's heard the expressions: "Out of the mouths of babes," or "Children say the darndest things." That is - and isn't - what this post is about. Fundamentally, this post is about how children can shake us free of the view of life that we ordinarily take for granted - and thereby give us insight into the Other.
When you're grown up, you know so many things that it's easy forget how few things you knew when you started out. Kids have to be taught to wave hello. To greet others. To say please and thank you. To shake hands. When to speak up and when to be quiet. Yes, a lot of this is about manners and politeness. But some of it is also about basic understandings of how the world works, too. We have to learn where rain comes from, what money is, and what banks are, and what they're for. We also have to learn how to acquire possessions, how to arrange them in our space, and what "clean" means, and what "tidy" means (and whether the two are different!). We have to learn how to use the bathroom - where toilets are kept, how to clean ourselves when we're finished (both above and below). The list goes on and on - but when you consider that a baby has to learn how to focus its eyes, and how to hold an object, you realize that any one particular thing is tiny in the face of the enormous list of things to learn.
It shouldn't be at all surprising that children misunderstand. We should all stand in awe of how much they do understand, how easily and how quickly they learn.
Earlier this year, I was asked to compose a bio for the conventions (BayCon and Westercon) that I attended. Deciding to go for humor, I included the following lines about myself and my beloved babes:
"Juliette taught alien languages for three years, then moved on to completing her M.A. in Linguistics and Ph.D. in Education before encountering an entirely new species – children. After several years in the thick of linguistic struggle she has achieved successful communication which bodes well for their future on our planet."
It's not far off. And children, who often lack understanding about the things we've learned to take for granted, can give us valuable hints into how strangers to our societies - aliens or just travelers - might react to the things they experience.
My dad uses an expression that I've picked up: "That's one approach." I use it any time when I see my kids accomplishing a task in a way that I never considered. Hey, it might not be the way I'd do it, or even the way I'd suggest they do it, but it works. I use it a lot.
So keep your eyes and ears open when children are around, even if they're not your own. Watch for instances of misunderstanding, of unusually keen insight, of language error, of social faux pas, or of accomplishing a task by an unfamiliar means. Each one of these can provide a view into previously unseen alternatives, and prove a source of story ideas, or of details for an alternate world, or of behavioral details for an alien.
It's a treasure chest of ideas, waiting for you to discover it.
When you're grown up, you know so many things that it's easy forget how few things you knew when you started out. Kids have to be taught to wave hello. To greet others. To say please and thank you. To shake hands. When to speak up and when to be quiet. Yes, a lot of this is about manners and politeness. But some of it is also about basic understandings of how the world works, too. We have to learn where rain comes from, what money is, and what banks are, and what they're for. We also have to learn how to acquire possessions, how to arrange them in our space, and what "clean" means, and what "tidy" means (and whether the two are different!). We have to learn how to use the bathroom - where toilets are kept, how to clean ourselves when we're finished (both above and below). The list goes on and on - but when you consider that a baby has to learn how to focus its eyes, and how to hold an object, you realize that any one particular thing is tiny in the face of the enormous list of things to learn.
It shouldn't be at all surprising that children misunderstand. We should all stand in awe of how much they do understand, how easily and how quickly they learn.
Earlier this year, I was asked to compose a bio for the conventions (BayCon and Westercon) that I attended. Deciding to go for humor, I included the following lines about myself and my beloved babes:
"Juliette taught alien languages for three years, then moved on to completing her M.A. in Linguistics and Ph.D. in Education before encountering an entirely new species – children. After several years in the thick of linguistic struggle she has achieved successful communication which bodes well for their future on our planet."
It's not far off. And children, who often lack understanding about the things we've learned to take for granted, can give us valuable hints into how strangers to our societies - aliens or just travelers - might react to the things they experience.
My dad uses an expression that I've picked up: "That's one approach." I use it any time when I see my kids accomplishing a task in a way that I never considered. Hey, it might not be the way I'd do it, or even the way I'd suggest they do it, but it works. I use it a lot.
So keep your eyes and ears open when children are around, even if they're not your own. Watch for instances of misunderstanding, of unusually keen insight, of language error, of social faux pas, or of accomplishing a task by an unfamiliar means. Each one of these can provide a view into previously unseen alternatives, and prove a source of story ideas, or of details for an alternate world, or of behavioral details for an alien.
It's a treasure chest of ideas, waiting for you to discover it.
About:
aliens,
behavior,
children,
ideas,
politeness
Tuesday, October 6, 2009
The Shifter hits US Bookshelves!

Today's the big day for my friend Janice Hardy. Her book, The Shifter, officially releases today! Thus I've included the photo above to help entice you. I'm going to be going to pick up my copy later today, and I encourage you to do the same.
If you find you want to talk to Janice about the book, you can find her on her book blog, or you can also talk to her about writing process at her writing blog. Since I know a lot of visitors here at TalkToYoUniverse are interested in writing issues, I particularly recommend her writing blog, The Other Side of the Story. She has lots of great advice about structure, revisions, plot, worldbuilding, etc. all delivered with a great sense of humor and excellent sensitivity to the interests and questions of her visitors.
About:
Janice Hardy,
The Pain Merchants,
The Shifter
Monday, October 5, 2009
Exciting Review of Cold Words
Today I discovered the following review in Locus magazine, from Gardner Dozois:
"Also good in the October Analog is "Cold Words," by new writer Juliette Wade, a story about a diplomatic mission to an alien planet that's in danger of foundering on the rocks of cultural misunderstandings. Wade does a really good job of creating alien aliens, with their own distinctly non-human psychology and cultural values, and showing how language, the words themselves, can both create barriers and help to tear them down."
I was thrilled to receive good words from such a highly respected reviewer. I have a big smile on my face right now.
"Also good in the October Analog is "Cold Words," by new writer Juliette Wade, a story about a diplomatic mission to an alien planet that's in danger of foundering on the rocks of cultural misunderstandings. Wade does a really good job of creating alien aliens, with their own distinctly non-human psychology and cultural values, and showing how language, the words themselves, can both create barriers and help to tear them down."
I was thrilled to receive good words from such a highly respected reviewer. I have a big smile on my face right now.
About:
Cold Words,
Gardner Dozois,
review
A different value: information
I was thinking about the value of information this week. Such thoughts come to me whenever I hear about DVD piracy, or whenever I watch my friend reading academic journals and trying to find a place in which to join that ongoing discourse - articles of scientific thought like turns in a giant and glacially slow conversation. Information has great value in our society. It is sought for. It is defended.
It can mean even mean life or death, as in The Bourne Ultimatum where the critical top secret information about the spy project Bourne was involved in makes people into targets, and the tension finally drops when Pamela Landy is able to get it into a fax machine and send it to the press, where it becomes public.
In our society, information is power. But are there different ways for information to be valued, distributed, etc? Certainly there must be.
Consider the difference between the gossip and the spy.
The spy succeeds by knowing as much as possible, by keeping information secret, by being invisible, and by never telling anyone (except a select few). Even the spy's identity is masked. Spies feel powerful when they know that no one suspects who they are, or what they know, and when what they know gives them power over people, things, or events.
The gossip succeeds by knowing as much as possible, by spreading that information widely, by being highly visible, and by telling everyone they can reach. Gossips feel powerful when they feel they know everything that is going on, that everyone knows who they are but not what they know, and when they have power over people by being the primary source of news in town, or even when they can gain power over events by distributing that information as they wish.
In my Varin world, I have a special servant caste called the Imbati, and one of their functions is that of gleaning and distributing information. They are known as the keepers of secrets, and they use their ability to distribute information to gain power over others. They are not like spies, though, because they are highly visible. Because they work for the nobility, nobles who want to gain information from one another can engage in a high-stakes game of twenty questions, where one noble asks questions of another one's servant, and vice versa. For every question one servant answers, the other must also answer one - so the trick is to know which questions to ask.
The Imbati are contrasted with the undercaste, called the Akrabitti, who are notorious gossips. But for an oppressed group, information may be the only thing of value they possess. A well-connected gossip has the most power in this group, because that person can not only keep everyone up with their friends' news, but also potentially save lives by letting people know who is in trouble or where the police are conducting raids or which stores are giving out free samples that afternoon.
The Akrabitti are terrified of the Imbati, because the Imbati are the group whose behavior is hardest to predict. The Imbati are appalled by the Akrabitti, because they feel that the undercaste treat information with absolutely no respect at all. But unlike with pirated DVDs, the information they take has no commercial value, only quality of life value for the people who learn it.
I was lately asking myself what a society would be like if there were no such thing as private information. It was challenging. How would you go about getting credit for your accomplishments? How would it be possible to make sure, short of some money-redistribution scheme, to make sure people were paid for their work? But partial transparency is actually more difficult than complete transparency, because if you do have complete transparency, then you can trace exactly what it is that everyone is accomplishing. The tricky part is then creating a system where the power to observe isn't reserved for a few who hold all the resources, and that those who do hold the resources aren't too keen on keeping all of them for themselves.
Nancy Kress had an interesting take on this in her book, Probability Moon, where people relied on a collective sense of reality that was updated as quickly as possible by message-senders called "sunflashers." The cool part of this for me was the way that the society could pass information so quickly - by mirror chains - even though they didn't have heavy electronic resources like ours. I had a tougher time with how this collective reality affected people physiologically... but it was still a fascinating take on the distribution of information.
So if you're looking for a way to make your world distinct from ours, the value of information is a fruitful path to consider.
It can mean even mean life or death, as in The Bourne Ultimatum where the critical top secret information about the spy project Bourne was involved in makes people into targets, and the tension finally drops when Pamela Landy is able to get it into a fax machine and send it to the press, where it becomes public.
In our society, information is power. But are there different ways for information to be valued, distributed, etc? Certainly there must be.
Consider the difference between the gossip and the spy.
The spy succeeds by knowing as much as possible, by keeping information secret, by being invisible, and by never telling anyone (except a select few). Even the spy's identity is masked. Spies feel powerful when they know that no one suspects who they are, or what they know, and when what they know gives them power over people, things, or events.
The gossip succeeds by knowing as much as possible, by spreading that information widely, by being highly visible, and by telling everyone they can reach. Gossips feel powerful when they feel they know everything that is going on, that everyone knows who they are but not what they know, and when they have power over people by being the primary source of news in town, or even when they can gain power over events by distributing that information as they wish.
In my Varin world, I have a special servant caste called the Imbati, and one of their functions is that of gleaning and distributing information. They are known as the keepers of secrets, and they use their ability to distribute information to gain power over others. They are not like spies, though, because they are highly visible. Because they work for the nobility, nobles who want to gain information from one another can engage in a high-stakes game of twenty questions, where one noble asks questions of another one's servant, and vice versa. For every question one servant answers, the other must also answer one - so the trick is to know which questions to ask.
The Imbati are contrasted with the undercaste, called the Akrabitti, who are notorious gossips. But for an oppressed group, information may be the only thing of value they possess. A well-connected gossip has the most power in this group, because that person can not only keep everyone up with their friends' news, but also potentially save lives by letting people know who is in trouble or where the police are conducting raids or which stores are giving out free samples that afternoon.
The Akrabitti are terrified of the Imbati, because the Imbati are the group whose behavior is hardest to predict. The Imbati are appalled by the Akrabitti, because they feel that the undercaste treat information with absolutely no respect at all. But unlike with pirated DVDs, the information they take has no commercial value, only quality of life value for the people who learn it.
I was lately asking myself what a society would be like if there were no such thing as private information. It was challenging. How would you go about getting credit for your accomplishments? How would it be possible to make sure, short of some money-redistribution scheme, to make sure people were paid for their work? But partial transparency is actually more difficult than complete transparency, because if you do have complete transparency, then you can trace exactly what it is that everyone is accomplishing. The tricky part is then creating a system where the power to observe isn't reserved for a few who hold all the resources, and that those who do hold the resources aren't too keen on keeping all of them for themselves.
Nancy Kress had an interesting take on this in her book, Probability Moon, where people relied on a collective sense of reality that was updated as quickly as possible by message-senders called "sunflashers." The cool part of this for me was the way that the society could pass information so quickly - by mirror chains - even though they didn't have heavy electronic resources like ours. I had a tougher time with how this collective reality affected people physiologically... but it was still a fascinating take on the distribution of information.
So if you're looking for a way to make your world distinct from ours, the value of information is a fruitful path to consider.
About:
culture,
information,
value
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